growth

Emulation Is Not Plagiarism

Emulation is not plagiarism. Those who cannot understand this suffer from an overt fear of being something other than absolutely their own invention. You’ll usually find these sort of people calling themselves a true artist. These people, hell-bent on achieving something other than the mainstream, will go to the most ridiculous lengths to assert their otherness. And what is the great irony in all this striving to be original? They end up being like everyone else.

clone

I believe anyone, myself included, who enters the creative world in whatever medium will find this dilemma facing them: to improve my abilities I must learn from others, but how then, do I retain my own sense of style? My first piece of advice, paradoxical as it may sound, is to disregard the question entirely.

What! Why? They screamed inwardly. Well I’ll tell you. Calm down. You’re always getting worked up over silly things. Once upon a time I had a great conversation with a friend about how we can truly be something and the answer was simple: do it. The person who writes for no other reason than to write is the archetypal writer. The person who makes movies for no other reason than the love of crafting them is the archetypal director. If you have engaged with an activity completely, you will have done so without any thought as to how that activity relates to your ego or reputation. And it is here my friends, that true creativity lies.

sand

Now for those who throw up their hands and say, “Well I’m just not like that. I think about this sort of thing sleeping or awake.” I do have something for you to consider. Return please to the point I made initially about over-correction. The kind of person who would rather bang on trash cans and slap fish together for percussion than sound like a god-cursed mainstream musician. This person has failed to recognize an inescapable scientific fact: art is a continuum. I say scientific because we can use a musical scale as an example.

If you play the C scale on a piano inevitably you return to the root note. Sure you’re an octave higher but all the notes are the same and the will repeat again. All scales are like this. All art is like this. The beauty is that even though you’re ostensibly trapped in this continuum, you are always free to choose how you move within it. The C scale may have the same notes no matter where you go, up or down, but the order in which you play those notes is up to you.

Seeing-The-Music-635x476

I’ll use making Youtube movies to further this example. We all use the same figurative notes in the Youtube scale. These notes are the things we use to make videos: our language, cameras, editing software, and so on. Notice, like the scale, we are all trapped in the continuum again. We can use different editing software to make videos, but we all must use one form or another. In just the same way everyone has their own camera, be that a modest cell-phone or a great and mighty DSLR, but again, we are all restricted to choosing a device which can record images. We must adhere to the same creative principles, but just as with the C scale, we are not trapped by them. On a scale I couldn’t even count the number of variations you can produce, especially given timing and rhythm. Creating videos is no different. The potential for variation is infinite.

Another detail drawn from recognizing that art is a continuum, is that it is also a cycle. What was once unpopular, will become popular again. Art-forms of whatever kind, given time out of the spotlight, gain popularity for that reason. Sitting on the periphery of our awareness they begin to gleam again with the sparkle of something unappreciated. Drawn back into the center they cannot stay there forever. What once made them cool, our fascination with the unknown, dissipates with familiarity. Like a lover that excites us no longer, we discard it for the next, lesser known, promise of excitement. So be aware. Everything artistic and otherwise moves through this cycle and to cling to one form in the hope that it will never fade is ridiculous. Let your art change and evolve. You’ll be more successful for it.

By understanding that nearly all art exists in a continuum and is cyclical, we should cease to care when something we create at some point overlaps with someone else’s work. It’s going to happen. Worry instead about, do I enjoy this? Am I only making art to not be like anyone else? Because if indeed you are, you are a cloned copy of so many others. You will become a self-obsessed bore, willing to sacrifice the pure enjoyment of creation for the fleeting pleasure of replying when people confusedly inquire about your work, “You haven’t heard about my all-coconut rock-band? Not surprised, you’re so mainstream.”

coconuts

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Collaboration: Delusion’s Cure

DaveTrippin_BookFIN

Old paths to publication and creativity are dieing while connectivity and collaboration grows. This is for the better. But first I must acknowledge in myself the strangest habit— I battle it even as I write this. I battle self-delusion. The erroneous thinking which leads one to think they are competing against something as opposed to participating in it.

Metamorphosis_of_Narcissus

I’ll clarify this thought. I am a writer and traditional authorship paths would have me believe that there is a three-step routine to having your book published: write it, get an agent, get it published. I’m not sure what it is about the human condition but I’d always framed this as me against a rigged system. Without even applying much effort I’d come very quickly to the conclusion that getting an agent is like winning a lotto. It is a true a large amount of good writing (not necessarily my own) is consistently passed over. However, the greater realization I’ve been trying to accept is that in no way is a system that is difficult to succeed in, a system that is attacking, you, personally. Ultimately your manuscript’s rejection is impersonal.

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I remember a conversation on the phone with a good friend of mine, pumping myself up, saying, “No matter what people say or think, I will write and publish this book!”. My more level-headed friend on the other end of the line responded, “Who exactly is preventing you?” When confronted by that question I realized I could identify maybe two nay-sayers. And even then, they were more commenting on the known difficulty of getting published. Not directly saying to me you have no hope.

Merging theater masks

This is the way of our fears. They have the power to turn our inner monologue into an extroverted perception of what surrounds us. We turn a matter of personal perception (something we very much have control over) into something immutable, outside ourselves, and thus, difficult to influence in a meaningful way. Admittedly the current system’s difficulty to penetrate lends itself to this flawed way of thinking. Human nature compels us, likely as a defense mechanism, to externalize most challenges: a kind of mental off-loading of responsibility. Life is stressful enough without realizing how lazy we are.

But that’s enough self-flagellation. The reason I wanted to write this was to point out which changes in human connectivity are making the creative process far more exciting, collaborative, and somehow paradoxically, an independent endeavor. The big ones you know of course: e-publication, Facebook, Twitter, Youtube, Tumblr, and a slew of others. They all contribute to author’s success, if only for their power to advertise. Much more exciting in my mind however are the social sites I’ve found which go beyond basic advertising, and can actually make you a better writer. I had no idea they existed up until roughly a year ago.

I’m referring to peer review writing sites. These social networks are an invaluable resource if you which to do more than show people what you are creating. They are inherently smaller (any community that actually creates as opposed to consumes always is) but the intense passion for the craft you will find in these places is humbling. Your computer screen becomes a portal to like-minded up and coming authors who all want to help each other grow.

The process on these sites is simple. Participants connect via the forums and offer to critique and review each other’s work. The grammatical comeuppance when I first arrived served as a reminder, we all have much to learn. Having taken my initial lumps I’ve learned an immense amount and networked with people who already have successfully published, be that independently or through a major house.The two I would recommend people use are Figment or Wattpad. Each has its strength.

figment_logo

Figment’s community is more hardcore and if you wish to have professional critique that’s where you will find it. Again its specialized community of more intensely driven writers means there are less of them but this as well becomes a benefit. With any regular reviewing and effort you become a true member of the community and not so easily lost in the crowd which can occur in the latter I will describe.

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If you wish to go for exposure and more opinions of your work as opposed to full review, Wattpad is the clear winner. Not only does it have a larger community but the site designers quite brilliantly have also designed a mobile application for the site. A mobile application equals—you guessed it—more exposure. The education offered through these sites, let alone the exposure, would have costs thousands in a not so distant past.

choices

This relates as well to my point regarding the paradoxical independence granted to us by a greater availability of collaboration. There is no longer one path. An abundance of choices leads to far more individualization. Yes you are networking and interacting with more people than ever before, but now you are able to do so on your own terms. You personalize the questions you want answered. Finally you’re free to tailor and define the sort of engagements you want to take part in. It can be a bit disorienting at first, lacking the direction traditional methods offer, but I believe this greatly benefits innovation. It’s the classic idea that because you never learned what was ‘impossible’ you pioneer something everyone else gave up on.

Now with the peer review out of the way I can discuss my favourite part of new-age collaboration: the kind you never saw coming. You might be wondering, what was that cover up at the top of this post? Well aside from being the recently completed cover for my first book ‘Stone Heart’ it is the result of a random collaboration.

I have a Youtube channel called ‘DaveTrippin‘ (shameless plug is shameless). On this channel I try to help people to move to Japan or find work, or basically answer any questions about Japan that people may have. I get lots of emails asking many questions and I am more than happy to make videos answering them. It’s how my channel grows.

One day I got an email which for the first half read like all the others. This fine gentlemen asked if I would mind making a video to answer a few of his questions. Nothing new there. The shocker came in the second half of the email when he offered to design me a cover for my recently completed book. I’m amazed with what he produced and I think you would agree, he did an excellent job. This kind of collaboration was not possible before and is a testament to the better world we now live in as artists.

The string of events which led to this wonderful moment baffles me: a peer review site which never existed until recently has made me a better writer. In turn creating an unrelated Youtube site has put me in contact with an amazing graphic artist. That artist noticed I had a website. A website which I could have only made with the ease of recent technology and the now readily available online tutorials. On that site he sees that I am an author and wants to help me.

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The lesson here is obvious and something we’ve known all along. Humans wish for a world in which we do not hate or repress each other. We wish to reach out, to help, to see ourselves in one another, and with the amazing leaps forward made each day by collaboration, that dream will not one day become reality, it is now, already come.

I Think Too Goddamn Much!

Allan

I have a problem. And considering the way I acted when I was younger, I find it’s strange that it’s the one that plagues me most as I’ve gotten older. When I was young I’d do something shit stupid and my dad would ask me about the repercussions of what I’d done. I would start to answer, “Well, I didn’t think-.” He would cut me off. “Exactly! You didn’t think.” Herein lay my youthful problem: action without forethought.

Now a few days have gone by. I’m roughly thirty and perhaps because of my obsessive worry about not thinking enough when I was younger, I am now cursed with the exact reverse. I think to goddamn much! No action is done without weighing first all the multitude of outcomes. Any moral act is beaten to death with a stick long after it should be put to rest. I wanted to buy a car recently on a modest budget and only realized around consulting in great depth with the fifth or sixth person that I was treating the whole thing like marriage proposal. It’s a special kind of hell. My spontaneous self left strangled and beaten to a pulp.

A strong desire to believe that we can change has shaped a great deal of my recent life. I’ve sought out wise people for advice and found them in our history either in books or lectures. My favourite is Allan Watts. He’s the 1970’s guru (although he would hate to be called that) who popularized Eastern philosophy in the west. I like him so much because of the academics I could find, he speaks directly at the topic as opposed to around it. I say this because I’ve found books on neuroplasticity touch on the subject but don’t really get into the meat of it. Not to say you shouldn’t read these either they’re amazing for their own reasons.

Anyways. Why is Allan Watts such a good resource for the topic? I’ve found his strength is two-fold. You have on the one hand his great research background on Eastern philosophy that gives him something to talk about. On the other, and surprisingly the most potent, he talks! His lectures can be found all over Youtube.

Listening to him, as much as I found what he has to say was incredibly enriching in terms of its educational value, it was the timbre and sonorous quality of his voice as he spoke that provided me with the most peace. One of the primary virtues he espouses when trying to escape our obsession with control and over-thinking is that we would simply experience the here and now more. Something modern therapeutic meditation might call “mindfulness”. There is a big problem with it though. If your goal is to become lost in a moment of immediate experience you’ll quickly defeat yourself by “thinking” far far to much about getting lost in the moment. A sort of cyclical disaster.

Explosion

Watts warns about this and says if your intention is to calm and clear the mind do not go about doing so by demanding of your inner thoughts that they should leave. He says this has the same effect as trying to calm disturbed water with a flat-iron (an expression I love dearly). Instead he suggests observing your thoughts. Allow them to enter your mind and become aware of them. In this way you allow all the conflicting repressed garbage demanding your attention to take its turn and then clear. I’ve heard others describe it as watching cars pass on the road. Each car is a thought and you observe them as they come. This accommodating non combative method, I’ve found, truly does yield results.

And that is why I discovered it was less the content of Allan’s speeches that mattered to me and more his tone. This is because it was his extremely enjoyable tone, which after I observed the points he made, made me forget I was observing them at all. I forgot because I enjoyed the experience of his voice so much, to think about what he was saying. Hallelujah. I defeated the cycle not because I had learned so much about what exactly I should bend my will to accomplish. I simply enjoyed so much what I was doing, I forgot to think about it.

And that is what I have learned about how to calm my mind and do at least something to absolve this most assiduous cancer of over-thinking. Do something I love. Do anything that I become so involved in I forget who I am, what I care about, what I (imagine) matters. In doing so I am free. I actually have a bit of a chuckle to myself when I think how often I have hated the idea of someone being a couch potato and mindlessly watching television. I understand now the need for such an escape. Constant reflection is as unhealthy as no reflection at all. We need to disconnect. We must. Living in this world with its infinite information to consider is something which can poison an overactive mind.

So this is my advice to you reader. You who by some fascinating twist of the universe’s superpositions made it to my writing and took the time and gave it the honour of your attention. Minus all the mumbo-jumbo about meditation and mindfulness, if you find yourself in a similar situation to myself: where even feeding the cat becomes the greatest existential moral dilemma of your life. Let go and find something you simply enjoy, something you really really enjoy. You will forget the illusion of (I). You will become more what you truly are: an experience.

Little Black Box

My body my mind, chiseled in, fading time.
Drawn to the brink, ever I sink, into you.
Carefully crafting sermons that teach, only me, to see.

I’m so thirsty for the flames

Something to burn away, a light so bright, you’d find me.

But I’m just a little black box four square corners of recorded thoughts
My story is the telling of truth
And it’s all just a lie, a little black box without its disguise

Still every day from the wreckage of hope I drag these tortured dreams

Defy what I know to be broken

Swear what I know can’t be spoken

If for just one moment for all to see, I’d be more than these four corners, I’d be more than just me

But I’m just a little black box four square corners of recorded thoughts
My story is the telling of truth
And it’s all just a lie, a little black box without its disguise

The Right Time and Place: Hope for the Social-Media Marketer

social-networking

As I am oft to do, I found myself thinking about if my social media presence is really worth the amount of effort that I put into it. Does all this networking really amount to anything? Or, am I just spinning my wheels? There is always that sinking feeling that no matter how many people I network with, that I am forever resigned to be a small fish in a huge pond, and my work as an Author will never see a positive result from it. I’ve never given into this way of thinking, but admittedly, it’s something that has plagued me. Until recently.

As I am also oft to do, I was watching some interesting videos on Youtube. The video in this case was a speech given by one of my favourite intellects of our time: Ray Kurzweil. If you don’t know him, which is very unlikely, I’ll fill in the gap for you.

Ray is a futurist, famous for writing his incredibly successful book ‘The Singularity is Near’ wherein Ray discusses how very shortly, within the next three decades, humankind will undergo a rapid change as a result of its developing technology. He is also a famed inventor, responsible for creating the first keyboard capable of orchestral quality sound recreation. My friend, an audio engineer by trade, actually uses one of these keyboards, so I can attest to its amazing sound. In Kurzweil’s book he predicts some incredible things. Some of which are so far-reaching in their implications one might seriously consider discounting the man as a nut-job. The problem with Kurzweil is this: he is not some nut-job. His hugely successful career is a testament to that fact. The man is considered such an amazing mental power Google has seen fit in recent years to hire him as director of engineering. There is no denying, the man is on the cutting edge of what is possible in the coming future.

Introductions finished, let’s get into what exactly the man was talking about in his video that I found inspiring. He was talking about what had made him so successful in his career. Namely what gave him an edge over the competition. To do this he asked a question. He said to the audience in attendance, ‘Why do you think Facebook is so successful?’. He asked smiling, ‘Do you think it’s because Mark Zuckerberg needed to reach an age where his brilliance could be released on the world?’. One could assume from the playful way in which he suggested the idea, that this was most certainly not the case.

He went on to say that although there was no denying the brilliance of those involved with the project for recognizing the opportunity, there were far greater forces at work for its successful carrying out: right place, and right time. Kurzweil assured the audience, and I’m inclined to agree with him, that Zuckerberg and his cohorts were not the first to have this idea: interconnected social systems on the web. The important thing to realize he said, is that even if you had conceived the idea many years before, regardless of how amazing it was, you could not implement it without other technological factors catching up. Kurzweil pointed out that Facebook was impossible in a time when using the Internet meant dial-up modems and crackling interruptions to the connection as we yelled down the hall at loved ones for sabotaging our usage. And like a magician pulling the rabbit from his hat, when Kurzweil said this the audience gave an audible ‘ohhh’, myself included.

The point Kurzweil was making—if you haven’t already guessed—is that success is the result of two equal parts: knowing what technology, creation, or innovation is needed, and realizing when temporally it can be nominally utilized. Now we come to why I found this utterly inspiring. This concept is directly relateable to social-media as a tool for advertising, and whether or not it will grow in both potency and potential. This relates as well to a thought I’ve had recently: no matter the era, we are always living with the illusion that we are living in the future, or at the very least, the cutting edge of what is possible. When in reality, this could not be farther from the truth. We are no less cave-men, by technological standards, than cave-men.

From considering these two ideas: the still massive potential of social-media, and our misunderstanding of technology, I derived the true significance of what Kurzweil was saying: we have only now just reached the tip of what is possible through social-marketing. The evidence perhaps which best demonstrates this fact is the growth and progress of information technology / the Internet and its usage. Certainly it’s easy to lose ourselves, like I do so often, thinking that we’ve pretty much bottomed out. That is to say, how much faster or more interconnected could we become? The answer is simple: a lot.

I did not want to stuff this piece of writing with a bunch of figures, as it is more a philosophical rambling piece, but I’ll toss in a few for their added strength to the argument. I was looking at figures which displayed the Internet’s growth taken from the year 2000 until 2012. The stats were quite a revelation. Africa’s growth usage in the aforementioned time periods was mind-boggling, growing roughly three thousand six hundred per cent. During the same time period globally, the Internet’s usage grew five hundred and sixty-six per cent. The Internet is booming, and in the coming five years will grow yet again at a nearly inconceivable rate due to Moore’s law of exponential progress. You can see its evidence everywhere: phones, computing power, and transmission speeds. With the advent of ‘fifth generation transmission’—in which speeds achieved are thirty times faster than the current LTE—the world is going to change in a way that for lack of a better word could be described as—weird.

So for those of us worried if we’re tapped out in terms of what we stand to gain in free advertising from social-media, fear not. If you have started to throw together a ‘social media mud-hovel’ as I like to describe my current empire, you have not missed the boat. You actually stand perfectly positioned to still reap all the benefits of this rapidly changing era. Put succinctly, you have entered into the arena, at the perfect place and time.

Free

And now it’s time for you to run without this time a starting gun
Is it not how they told you it would be
They were singing songs of innocence before you were free
And Now you know experience a tiger that stalks inside your house
He’s been there a while now tearing up your floors showing you all those hidden doors
It’s like floyd said it’s not what you expected to see
When I looked at the tiger the tiger was me

So I run run run can’t seem to catch up with the sun
And each day I grow older just a little bit colder
But after all I wanted this wanted to be free

Are we all just dreaming of life
I wake and it’s not real
A lonely place just filled with steel
Each face passes by a glimmer of something the same
Will we ever be more than just our names
I have always been looking for that greater plan
But all the time knowing the tiger will eat the lamb

So I run run run can’t seem to catch up with the sun
And each day I grow older just a little bit colder
But after all I wanted this wanted to be free

I can feel my pulse it’s never the same
But somehow in the end comes round again
When does it all stop can you see by the veil
This tiger feels old from eating his tail
His back is broke and his mind is gone
So maybe this time we sing the song.

So we run run run can’t seem to catch up with the sun
And each day we grow older just a little bit colder
But after all we wanted this wanted to be free